What is the reality behind the famous phrase, in Demosthenes 2. 6? It is commonly spoken of as a secret treaty, pact, agreement, bargain, or understanding, or as a secret clause or article, between Athens and Philip II of Macedon, at some time between 359 and 357, whereby the Athenians promised to hand over their ally, Pydna, to Philip, in return for his promise to hand over Amphipolis to them.

L’espace esthétiqueLe « renversement du cartésianisme » chez Deleuze et Merleau-PontyCet essai se propose de développer le rapport entre Deleuze et Merleau-Ponty à partir de la tentative des deux philosophes français d’aller au-delà du courantde pensée qu’on pourrait qualifi er, comme le fait Merleau-Ponty lui-même, de « cartésianisme ».Nous commençons notre itinéraire avec la critique que les deux philosophes adressent à la notion cartésienne de « ligne » – passage obligé pour penser, à travers Leibniz et sa notion de « (...) point », la ligne en tant qu’« ensemble de points ». On cherche ensuite à penser une ligne qui ne serait plus tracée dans un espace objectif présupposé, mais plutôt qui « se trace » dans un « espace expressif ».Un tel renversement de la « ligne cartésienne » produit, comme on le verra, des effets qui intéressent également la représentation de la ligne du temps. Émanciper cette dernière du modèle cartésien signifi e la penser par-delà toute référence chronologique, toute dépendance du temps de Kronos. On peut lire dans ce sens la tentative des deux philosophes pour penser le temps de l’événement, le temps de l’Aion. On verra enfin comment, d’un espace et d’un temps anticartésiens, doit naître, pour Merleau-Ponty et Deleuze, une nouvelle grammaire porteuse d’une nouvelle compréhension de la métaphore. Ni l’idée de métaphore proposée par Merleau-Ponty, ni le concept de devenir créé par Deleuze ne concernent une ressemblance fondée sur une identité donnée. Si la métaphore merleau-pontienne et le devenir deleuzien doivent être en mesure de restituer l’essence d’une chose, une telle essence se trouve, ou mieux se crée,à partir d’un mouvement vers « ce que la chose n’est pas ». C’est précisément dans ce sens que Merleau-Ponty lit la métaphore proustienne et que Deleuze cherche à rendre compte des ressemblances créées dans l’oeuvre de Gombrowicz.The Aesthetic SpaceThe “Reversal of Cartesianism” in Deleuze and Merleau-PontyThe present essay proposes to explore the relationship between Deleuze and Merleau-Ponty from the attempt they make to go beyond the current of thought thatwe may qualify, like Merleau-Ponty does it himself, as Cartesianism. We begin our itinerary with the critique that both philosophers direct at the Cartesian notion of the line. The passage through the Cartesian notion of the line is “obligated” in order to think – by means of Leibniz and his notion of point -- the line as a “set of points.” The Cartesian passage is obligated moreover in order to think a line which could no longer be drawn in a presupposed objective space but, rather, which would be “drawn” in an “expressive space.” Such a reversal of the Cartesian line, as we shall see, produces effects that concern also the representation of the line of time. To emancipate the line of time from the Cartesian model means we must think beyond all chronological references, beyond all dependence on the time of Chronos. We are able to read, in this way, both philosophers’ attempt to think the time of the event, the time of Aion. Finally we shall see how, for Merleau-Ponty and Deleuze, a new grammar carrying a new understanding of the metaphor must be born from an anti-Cartesian space and time. Neither the idea of metaphor proposed by Merleau-Ponty nor the concept of becoming created by Deleuze speaks of a resemblance founded upon an identity that is given ahead of time. If Merleau-Ponty’s idea of metaphor and Deleuze’s concept of becoming must be able to produce the essence of a thing, such an essence finds, or better, it iscreated on the basis of a movement toward “what the thing is not.” It is precisely in this sense that Merleau-Ponty reads Proust’s metaphors and that Deleuze will seek to give an account of created resemblances in the work of Gombrowicz. (shrink)

A entrevista concedida por Emmanuel de Saint Aubert a Silvana de Souza Ramos e a Iracy Ferreira dos Santos Junior aborda a história e o papel dos Arquivos Husserl de Paris para o fomento da pesquisa multidisciplinar em fenomenologia. O pensador esclarece qual foi o contato de Merleau-Ponty com os manuscritos de Husserl, e que tipo de leitura, situada e complicada, ele realizou não apenas desses manuscritos, mas da obra de Husserl como um todo. Esse aspecto é particularmente importante (...) para os estudos de filosofia francesa contemporânea porque Merleau-Ponty foi um dos grandes responsáveis pela introdução de Husserl no pensamento francês. Tal esclarecimento permite mostrar a originalidade da filosofia de Merleau-Ponty, pois revela que o autor não era um exegeta de Husserl, mas um pesquisador inquieto e multifacetado, engajado nos debates intelectuais e políticos de sua época. Se ele não pode ser reduzido à figura de um mero leitor de Husserl, tampouco sua ontologia tardia pode ser resumida à influência de Heidegger. Debruçado sobre os manuscritos deixados inacabados por Merleau-Ponty em função de sua morte prematura, os quais eram um esboço de um novo livro, Saint Aubert realizou um minucioso trabalho de pesquisa dos usos que Merleau-Ponty faz de termos centrais de sua ontologia – chair, Leib, empiétement, quiasma – mostrando que eles não traduzem ou expressam literalmente conceitos provenientes de Husserl ou de Heidegger, pelo contrário, esses termos ganham uma gama de sentido multifacetada nos escritos de Merleau-Ponty, alimentando-se de suas leituras e meditações filosóficas, mas também de sua cultura científica e literária, e de suas preocupações éticas e políticas. A pesquisa de Saint Aubert, dedicada à interpretação dos chamados “inéditos” de Merleau-Ponty, resultou na publicação de cinco livros, pelas edições Vrin, todos eles guiados por uma leitura genética transversal da obra merleau-pontiana. Além disso, Saint Aubert, com a ajuda de outros pesquisadores e pesquisadoras, publicou, com apurado cuidado editorial, vários volumes com os manuscritos de Merleau-Ponty. Esse material, disponível de modo organizado e situado, é de uma riqueza incomparável, e permite dimensionar de modo mais preciso o papel de Merleau-Ponty no pensamento contemporâneo, além de iluminar o sentido de seu projeto ontológico. (shrink)

Este artigo discute o esvaziamento da experiência sensorial como uma das características da Modernidade Líquida, conceito criado pelo Sociólogo polonês Zygmunt Bauman. A crise dos sentidos ocorre pelo “silêncio olfativo”, pela hipertrofia da visão, também pelo atrofiamento da sensibilidade tátil. Somente uma reflexão sobre o embotamento da nossa experiência sensorial pode nos fazer compreender o tempo presente.

Interwoven with natural structurations and personal history, the flesh , in Merleau-Ponty's gradually-forged conception, is nourished by the combined influences of neurology, Gestalt psychology and psychoanalysis. This triple influence undergirds a recurring theme in his later writings: the mirror . "The flesh is a mirror phenomenon," Merleau-Ponty tells us. The unpublished manuscripts reveal that this famous clause refers neither directly to Husserl, nor to Wallon and Lacan, but is driven by contemporary readings of Paul Schilder and Wolfgang Metzger, who study (...) the phenomena of distanciated migrations of the body-image in vision. The mirror mingles objective body with phenomenal body, in an effective community between my lived body and its external image. It shows how the flesh lives both within and outside of itself, animated by an essential incompleteness that engages perception in a process of incorporation and, thus, hints at intercorporeity. (shrink)

Premier volet d'une relecture transversale de l'œuvre de Merleau-Ponty à la lumière d'une connaissance d'ensemble de ses inédits, cet ouvrage se consacre à une période encore mal connue de l'évolution du philosophe, les années 1945 ...

Tracer des ponts entre la philosophie et la théologie, à travers un discours qui ne sacrifie jamais la raison sur l'autel de la foi, mais qui utilise l'éclairage de la Parole de Dieu pour stimuler la réflexion philosophique, tel est le pari de Charles-Éric de Saint Germain dans ses Écrits philosophico-théologiques sur le christianisme.

O presente ensaio procura determinar quais foram as idéias que influenciaram o abade Suger na reforma da igreja de Saint-Denis – origem do gótico. Erwin Panofsky dá os traços essenciais desta investigação e abre novas posibilidades de aprofundamento. Em seu fascinante estudo, Panofsky teve o mérito de ter sido o pioneiro em descobrir uma influencia das obras do Pseudo-Dionísio sobre a reforma de Saint-Denis. Desde então, a polêmica não cessou mais. Destacase o papel de Hugo de (...) S. Vítor como transmissor da influência mística sobre Suger. (shrink)

Cet ouvrage se consacre à une période encore mal connue de l'évolution du philosophe, les années 1945-1951. Pendant cette phase de transition indispensable à la compréhension de la genèse des derniers écrits, Merleau-Ponty commence à se libérer des concepts classiques pour s'acheminer vers deux éléments capitaux de sa pensée: la chair et l'empiétement. A partir du bilan moral et politique de 1945, il fait de l'empiétement une figure de la modernité, et travaille en lui l'alliance singulière de pessimisme et d'optimisme (...) par laquelle il veut traduire sa propre version de l'existentialisme. Dans une complicité significative avec l'onirisme des " psychanalyses " de Bachelard, de la " co-naissance " de Claudel et de l'" amour fou " de Breton, Merleau-Ponty prépare ses propres éléments ontologiques, aux antipodes de l'imaginaire sartrien. (shrink)

“To see is to imagine. And to imagine, is to see.”Perception and Imaginary in Merleau-PontyMerleau-Ponty accords such a phenomenological and ontological priority to perception that this privilege might lead him to minimize the importance of theimaginary in our relationship with the world. In fact, in the work published during his life, the theme of the imaginary does not occupy a large place, and its conceptual elaboration remains little visible. A reading of his posthumous publications and of his unpublished papers leads (...) to a more subtle landscape, inwhich the philosopher destabilizes our common oppositions between real and imaginary, as well as those between the imaginary and truth. From themanuscripts from the end of the 1940s on, Merleau-Ponty expands his inquiry into perception in two complementary directions: the intuition of a form of coextensivity between perceptive life and imaginary life, but also between perception and expression. These intuitions, never disavowed, would continueto deepen up through the late unpublished ontological works. They find a guiding thread in the contestation of Sartre’s separation between the real andthe imaginary, and they open out onto the outline of a complex link between truth, imagination, and expression. Merleau-Ponty pretended to approve of thework of The Imaginary all that which is actually moving beyond it, in the direction most opposite to this essay’s own aims: “To see is to imagine. And toimagine is to see.” This split with Sartre finds one of its pivots in the phenomenological characterization of vision as a surpassing of the observable, a surpassing that would touch on an essential dimension of being and of truth.“Vedere è immaginare. E immaginare, è vedere”.Percezione e immaginario in Merleau-PontyMerleau-Ponty accorda alla percezione una tale priorità, fenomenologica e ontologica, che questo privilegio potrebbe condurre a minimizzare l’importanzadell’immaginario nel nostro rapporto al mondo. Di fatto, nell’opera pubblicata in vita, il tema dell’immaginario non occupa un grande spazio, e la suaelaborazione concettuale resta poco visibile. La lettura delle pubblicazioni postume e degli inediti conduce a un disegno più sottile, che vede il filosofo destabilizzare le nostre comuni opposizioni fra reale e immaginario così come quelle fra immaginario e verità. A partire dai manoscritti della fine degli anniQuaranta, Merleau-Ponty allarga la sua indagine sulla percezione in due direzioni complementari: verso l’intuizione di una forma di co-estensività fravita percettiva e vita immaginaria, ma altresì fra percezione e espressione. Mai smentite, queste intuizioni vanno approfondendosi fino ai tardi inediti“ontologici”. Esse trovano un filo conduttore nella messa in causa della separazione operata da Sartre fra reale e immaginario, e sfociano nell’abbozzodi un legame complesso fra verità, immaginario e espressione. Merleau-Ponty finge di “ratificare” il lavoro de L’Immaginario, in realtà sorpassandolo nelladirezione il più possibile opposta allo sforzo compiuto da questo stesso saggio: «edere è immaginare. E immaginare è vedere». Questo distanziarsi da Sartretrova uno dei suoi “cardini” nella caratterizzazione fenomenologica della visione come superamento dell’osservabile, un superamento che riguarderebbeuna dimensione essenziale dell’essere come della verità. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 63.2 (2002) 225-237 [Access article in PDF] Did Bayle Read Saint-Evremond? Thomas M. Lennon Of course Bayle read Saint-Evremond—he quotes him. Moreover, he published one of Saint-Evremond's texts. But there is reading, and then there is reading. There is selective, inattentive perusal of excerpts or even secondary sources, with no attempt to penetrate beyond a superficial understanding; and then there (...) is comprehensive, close scrutiny of the best primary sources, with sensitivity to nuance, and attention to context. In short, there is a difference between skimming and studying. Did Pierre Bayle (1647-1706) skim or study the work of Saint-Evremond (ca.1614-1703)?This article argues that Bayle's first-hand knowledge of Saint-Evremond's work was superficial and dependent on a secondary source that gives that work a less than obvious, and hitherto unappreciated meaning for Bayle. This shift matters because it bears on the question of the status of Bayle's religious faith. With her classic Pierre Bayle (1963-64), Elizabeth Labrousse set aside the traditional view of Bayle as a religious skeptic whose professions of faith cannot be taken at face value. Such had been the view held by many in Bayle's own time, most notably by Pierre Jurieu, and near-universally from the Enlightenment into the twentieth century. Very recently, in a work that is no less impressive than hers on this and other topics in Bayle, Gianluca Mori has defended the traditional view, basing a part of his argument on Bayle's use of Saint-Evremond. 1 Thus the question above. Moreover, the matter of Bayle's religious belief is not a merely biographical one. First, there is the fact of his [End Page 225] influence, especially given his huge readership, although Bayle's influence may well be other than anything he intended. Secondly, in any case, the interpretation of Bayle's work as a whole depends on it, for virtually everything he wrote besides the Dictionnaire has a religious dimension.To appreciate the importance of the question, something must first be said about Charles de Marguetel de St. Denis, sieur de Saint-Evremond. He was known in his time, and still is, as a libertine. It is difficult, however, to define libertinage beyond a combination of hedonistic mores and dubious religious beliefs—Epicureanism in some loose and popular sense. 2 What is more important, in any case, is how Bayle might have thought the term applied to Saint-Evremond; and here it is clear that outright atheism may have been at issue. Bayle reports that it was publicly known that Saint-Evremond "ended his long life, just as he had lived it, en esprit fort." He seems certainly to have died without benefit of religion. When asked on his deathbed whether he wished to be reconciled, says Bayle, he answered yes, "with all my heart. I would like to be reconciled with my appetite. For my stomach is no longer functioning in its usual way." Bayle was often at pains to insist upon the ultimate inaccessibility of others' real beliefs (and of the inappropriateness of attempting to reach them). In this case, however, he was prepared to hold up Saint-Evremond as a counter-example to the widely-held belief that there were no speculative atheists, i.e., people who would sincerely deny the existence of God, but only practical atheists, i.e., people who live as if they did not believe in the existence of God, but who, try as they may, are at least occasionally aware of it. 3This view of Saint-Evremond is important because, when accused of irreligion himself, Bayle cited the libertine's work as indicative of his own beliefs. To understand how Bayle came to be accused, and the significance of this response to it, some of the historical background is first necessary. Bayle's Dictionnaire historique et critique sold better than any text in the eighteenth century, philosophical or otherwise; and it was a best-seller right from the publication of its first edition, in... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The French Tradition and the Literature of Medieval EnglandEdward E. FosterThe French Tradition and the Literature of Medieval England, by William Calin; xvi & 587pp. Toronto: University of Toronto Press, 1994, $75.00 cloth, $29.95 paper.Probably not many people will read all of this book, because it is very long. That is too bad, because it is also very good and its length is necessary for its double purpose: (...) to reconceptualize the connections between French and English literature in the Middle Ages and to provide sensitive interpretations both of familiar and of ignored Medieval narratives. The doubleness is neatly reciprocal: the readings grow into the revisionist definition of influence, and the notion of influence informs the individual readings.The innovative and persuasive argument that orders the whole book is that the impact of the French tradition has been too narrowly defined. Rather than simply retracing the influence of the classics of French fin amour, like Chrétien, on the corpus of Middle English literature, Calin sinuously argues the influence of Anglo-Norman and thirteenth and fourteenth century Central French works on the literature of the high English Middle Ages. From Anglo-Norman, Calin draws, predictably, on the lais of Marie de France. Less predictably, he draws on Beroul and Thomas of England and on romances like Ipomedon, Amadas et Ydione, and Gui de Warewic. Least predictably, he draws on the tradition of saints’ lives as formative of later Medieval moral narrative. From Central French, he draws, predictably, on the Roman de la Rose. Less predictably, but very convincingly, he draws on material frequently slighted even by French critics: Guillaume de Digulleville, the Prose Lancelot, Machaut, Froissart, and Chartier. But even more than influence, in the traditional sense, Calin persuasively demonstrates an enlivening intertextuality. He rescues Anglo-Norman classics from their stodgy reputation and late Central French texts from inattention and makes both relevant to the development of the English narrative tradition in court poetry and in popular romance.The power of Calin’s overarching argument depends heavily on the critiques of individual works. Without forgetting Chrétien and the earlier French tradition, he traces in Marie, Beroul, and Thomas, the formation and complication of fin amour which were present and available to English writers. He describes the narrative force of Anglo-Norman saints’ lives on the fictional techniques of English romance. His acute treatment of interlace in the Prose Lancelot reveals the treasure trove that English romancers could draw on, for technique as well as themes. In addition, he shows both how de Digulleville served up the “dream vision” and Machaut and Froissart served up the limited, even bumbling, narrator for fourteenth-century England.It could be argued that Calin’s method of doing very modern or postmodern analyses of early French poetry and prose is misleading. And it is true that some of the readings of French texts seem eccentric. For example, the relentless imposition of Freud on Marie is perplexing even when plausible. One wonders [End Page 400] whether this is the best way to approach the Lais. And Calin moves on to feminist, and old and new historicist readings of other texts. Each is well done, but it is sometimes hard to tell which way the winds of theory are blowing and why. While it must be granted that the interpretations of Middle English romances, like Ywain and Gawain, Amis and Amiloun, and William of Palerne, are not profoundly different from what other scholars have come to, there is no denying that embedding them in their French contexts gives them a richness they ordinarily lack. Even more laudable is the way in which influence is elaborated not just as a matter of themes but as a transformation of techniques and even sensibility.My greatest reservation is the treatment of Chaucer, especially “The Franklin’s Tale.” Calin does recognize Chaucer’s debts to the classics (though mostly through the Ovid Moralisé) and to the Italians. Yet Chaucer is the one author for whom the weight of French intertextuality seems less a determinant than a stimulant. In “The Franklin’s Tale,” the French burden leads to a reading that too easily dismisses both ironic... (shrink)

Este artículo busca saber en qué medida la iglesia de Saint Denis corresponde a las observaciones heideggerianas acerca del construir y del habitar, evidenciando el vínculo de Suger con las doctrinas de Dionisio, el pseudo-Areopagita, y Juan Escoto Eriúgena desde una perspectiva anagógica de la naturaleza y del mundo.

O presente texto trata das relações que podem existir entre filosofia e vida. Ao lado de uma filosofia do imaginário que procura o reencantamento da cultura escolar pela arte, é possível criar um novo imaginário da filosofia com a instauração de um outro “logos” que se afaste do paradigma clássico e do racionalismo. Michel Onfray, com seu “projeto existencial” e a criação da Universidade Popular, aparece como um exemplo dessa possibilidade que é aqui apresentada.

This collection of essays by the well-known Aristotle and Aquinas scholar, presented to him at the occasion of his sixtieth birthday, forms a good overview of his broad scholarship. The two volumes, entitled The Commentaries on Aristotle: The Metaphysics of Being and Moral Action. Theological Approaches, contain twenty-two articles of which fourteen are written in French, six in English, one in German, and one in Spanish.

Présentation d'une pensée qui synthétise les savoirs des Lumières et prépare les idéologies contemporaines, du socialisme au libéralisme industriel, et des disciplines comme la sociologie, le management ou la science politique. Claude Henri de Saint-Simon, surtout, peut être considéré comme le fondateur de la religion scientifique, industrielle et technologique contemporaine.

De son expédition autour du monde de 1831 à 1836, Charles Darwin, né en 1809, rapporte d'importantes collections de plantes et d'animaux. Retiré à la campagne pour raisons de santé, il publie en 1859 son grand oeuvre, De l'origine des espèces au moyen de la sélection naturelle. Dès lors, il s'impose comme le fondateur de la théorie de l'évolution biologique, dans laquelle la notion de sélection naturelle des espèces sous l'influence du milieu occupe une place centrale. Décrivant d'une plume alerte (...) et rigoureuse le rayonnement posthume d'une doctrine qui finit par être reconnue non sans mal, l'auteur montre notamment en quoi les idées de Lyssenko - le biologiste préféré de Staline - étaient antidarwiniennes et représentaient une insulte à la science. De même, il s'attaque au créationnisme d'aujourd'hui. Enfin, il expose les éléments importants de la théorie synergique qui renouvelle le darwinisme, englobant ainsi les plus récentes découvertes de la connaissance contemporaine. (shrink)

Encore un livre sur saint Thomas, dira-t-on. Que pourrait ajouter celui-ci à tout ce qui existe déjà? Nous voudrions d'abord dans cet ouvrage répondre simplement mais en vérité, et en lisant les textes eux-mêmes de saint Thomas et d'Aristote, à certaines objections ou lieux communs entendus ou lus plus ou moins régulièrement, qui empêchent de commencer à vouloir connaître la pensée de frère Thomas. Il s'agit de mettre en évidence la grande richesse, pour l'intelligence et le coeur humains, (...) de sa pensée philosophique, de ses analyses, de ses manières de poser les questions et d'interroger le réel. Un préambule pour une introduction à la philosophie de Thomas, telle est essentiellement l'intention de ces quatre études et non pas une introduction à la philosophie thomasienne purement et simplement. Elles cherchent ainsi à définir l'esprit d'un apprentissage philosophique qui a aussi en lui tout ce qui convient pour aider à un apprentissage théologique et spirituel, mystique même. (shrink)

La Règle d'or Tout ce que vous voulez que les hommes fassent pour vous, faites-le vous-mêmes pour eux : voilà la Loi et les Prophètes. Jésus. " La vie éthique ou morale est une exigence d'humanité. Elle naît du désir des personnes de donner sens à leurs actes et d'agir en vue du bien. Composée de règles d'action, de normes, de valeurs, de vertus, de représentations du bien ou de ce qui est sensé, elle vise à rendre la vie plus (...) humaine, et met en oeuvre la liberté des personnes dans leur relation avec les autres, avec elles-mêmes, avec la nature et avec Dieu. On appelle généralement "éthique" la science des comportements moraux humains ". Avec quelque 200 articles rédigés par plus de 100 spécialistes venus de divers horizons, ce Dictionnaire encyclopédique d'éthique chrétienne embrasse l'ensemble des différentes notions liées à l'éthique et à la réflexion morale chrétienne. Par son approche historique, interdisciplinaire et oecuménique, il offre une meilleure compréhension des débats sociétaux actuels. Sont aussi traitées des notions fondamentales du christianisme comme la grâce, la joie, l'amour, l'espérance, la foi... Tout lecteur, initié ou non, tirera profit de la consultation de cet ouvrage d'une ampleur sans précédent. (shrink)